The Sound Crier
Location Sound Services in DFW and Beyond
The Sound Crier
Location Sound Services in DFW and Beyond
Location Sound Services in DFW and Beyond
Location Sound Services in DFW and Beyond
We, is me, or myself, Jason Meyers, but feel free to call us, them, he, they, him, or whatever you want to call me, or myself, or us...well, you get it -- all pronouns accepted!
We do anything you need that pertains to recording sounds from the Earth. However, if you want a recording from outside of the planet, I'll have to warn you that there is no sound in space, and the shortest trip to the nearest planet, Mars, would take 6 months, so that's a lot of per diems, but I'll be glad to go if you want to pay for my $20 million seat!
Because a world without sound is pretty empty, and, besides that, I need something to drown out my tinnitus!
As a freelance location sound mixer and recordist in the Dallas and Fort Worth area since 2005, I have worked in reality, live news and sports, documentary, and corporate television productions, so I have the experience and gear to fit into any type of production.
Labor rates:
10 hours on-site (local area only): $700
Overtime rate (per hour, after 10hrs): $105
Travel rates:
(Outside of counties of Dallas, Tarrant, Collin, Denton, Rockwall, Kaufman, Ellis, and Johnson):
10 hours portal to portal from DFW Airport, or overnight hotel: $700
Overtime rate (per hour, after 10hrs): $105
Mileage rate: 62.5 cents per mile from DFW Airport
Travel day only (no equipment usage): $650
Basic gear package:
6 channel / 10 track mixer/recorder, boom/shotgun microphone, and single camera/recorder feed (timecode sync and either 2 channels of cabled audio or single channel wireless hop): $250
À la carte items:
Wireless lavalier unit: $75ea.
IFB w/ headset/earpiece: $40ea.
Timecode smart slate: $75
Additional camera/recorder timecode sync: $35ea.
Additional camera/recorder cabled audio feed (2ch): $50ea.
Additional single channel wireless hop to camera/recorder: $50ea.
Stick mic: $35ea.
Podium mic: $35
Additional shotgun mic: $50
Handheld stereo recorder: $50
16 channel mixing board: $200
200w PA speakers (2): $100
The below list is my personally owned equipment that is loaded up in my garage-parked van and ready to go at a moments notice. I can of course obtain any other gear that may be required, but my readily available gear can accommodate shoots with up to 6 lav-wired talent to 5 timecode-synced cameras and 6 producer / client ifb's; or a stick mic with a small PA for a room of 100.
Sound Devices 633 - 6 channel / 10 track mixer/recorder
Sound Devices 302 mixer
Zoom H-8 recorder
7 Lectrosonics Hybrid wireless lavalier systems
2 Lectrosonics HM wireless transmitters for hand mics or boom
3 Sennheiser G3/G4 systems
DPA 6060 and Countryman B3 and B6 lavaliers
Sennheiser 8060 shotgun microphone
2 Sennheiser 416 shotgun microphones
6 Sennheiser G3/G4 iem bodypacks for ifb, with Telex and Audio Implements earpieces or Sony headsets
Denecke TS-C timecode slate
3 Denecke JB-1 timecode boxes
Tentacle Sync timecode box
2 Beyerdynamic M58 handheld microphones
2 Sennheiser e835 handheld microphones
Shure MX418 podium microphone
Allen and Heath QU-16 digital mixing board
2 Alto TX-10 powered speakers w/ stands
12', 10', and 8' K-tek boom poles
25' breakaway audio cable with timecode transmission
15' breakaway audio cable
Lectrosonics SNA 600a dipole antennas
Plus, c-stands, light stands, music stands, tape, clamps, table, chairs, carts, tarps, furniture pads, sandbags, rain gear, hurricane gear, a dummy slate, and a few too many cables.
cell: 214-476-6230 e-mail: jameyers1@gmail.com
Copyright © 2023 The Sound Crier - All Rights Reserved.
Powered by GoDaddy
We use cookies to analyze website traffic and optimize your website experience. By accepting our use of cookies, your data will be aggregated with all other user data.